Karen T Taylor Logo Bas Relief Sculpture

Television


documentary tv


Documentary media programs regularly include both illustrations and sculptures to enhance the content and clarity of their productions. Much of Karen's artwork for documentaries has involved history projects for television. In addition, she has done multiple factual programs involving the many fascinating aspects of the human face.

An especially worthwhile project was the sculptural facial reconstruction of a member of the now-extinct tribe, The Bo People of southern China. Using a casting of an 800-year-old skull, Karen's work was done for Bang Productions in Singapore and the Discovery Channel US. The Mysterious Hanging Coffins of China aired internationally and won the award for Best Documentary in Asia at the Television Asia Awards.

Karen with CSI: creator Anthony E. Zuiker
on the Los Angeles set of CSI: Vegas

prime time tv


When popular, scripted crime dramas seek to accurately depict forensic art methods, they sometimes seek the expertise of real life specialists. Karen provides input to script writers, creates forensic art props, and at times, acts as an on-set coach for actors. Her hands creating artwork have also been filmed for CSl:, CSI:NY, CSI:Vegas, Body of Proof and others.

Karen with John Walsh on the Washington, D.C. set of America’s Most Wanted

true crime tv


Multiple true crime programs have re-enacted Karen's successfully resolved forensic art cases. For these shows, she does on-camera commentary to describe the processes used during the criminal investigation.

  • America's Most Wanted

  • The New Detectives

  • Forensic Files and Forensic Files II

  • Forensic Firsts

  • Mystery Detectives

Seeing a murder on television can help work off one's antagonisms. And if you haven't any antagonisms, the commercials will give you some.

 -  Alfred Hitchcock

tv and broadcast


Karen's crime-fighting artwork for law enforcement caught the attention of America's Most Wanted in 1990, resulting in a consultant relationship lasting over two decades. This proved to be the genesis for collaboration with numerous true crime, prime time and documentary television programs. Television writers regularly seek her input on script scenarios regarding faces and forensic art techniques. Depending on the needs of the production, Karen functions in front of the camera, behind the camera and as an on-set consultant coach for actors. She often prepares forensic art for use as props in advance of a scripted production and may also travel to filming locations. On occasion, her hands are filmed actually building the artwork and then edited among shots of the actors' hands.

Karen embraces these media projects as an opportunity to encourage accurate depiction of forensic art methods in the public media.

media commentary


Karen is sometimes asked to do on-camera analysis and commentary for network news programs, especially with regard to high-profile criminal investigations in the news.

Her comments are used to explain forensic art procedures to the general public and to raise awareness of their value in criminal investigations. It has been her career-long goal to promote the use of forensic art and to help standardize the professional protocols of practitioners.

The dead cannot cry out for justice. It is a duty of the living to do so for them.

 -  Lois McMaster Bujold, Author