Karen T Taylor Logo Bas Relief Sculpture

Portraiture


Karen T Taylor Sculpture Barbara - Mrs. Thomas Hart Benton V Clay Portrait Portraiture - Image of a 3D clay sculpture with a white background. Beautiful depiction of the subject capturing her importance, her personality, her likeness and accessories.

Karen places great importance on a positive interaction between artist and subject. She wants clients and patrons to consider the portraiture process a pleasant and rewarding experience throughout each stage of progress.

All commissions must be discussed on an individual basis for price quotes. To discuss possible portrait commissions, contact Karen’s studio, Facial Images

Karen T Taylor Making Barbara in the Studio - Artist creating likeness of woman with clay with male portrait sculpture in the background.

An integral part of our nature as humans is to enjoy portraiture. We gravitate toward images that grasp the “likeness" or better still, the "essence" of those familiar to us. Portraiture is about people. Over time, portraits have preserved and conveyed likenesses and hinted at character…commemorating and sometimes immortalizing. At their finest, portraits offer shrewd observations of the person, and become biographies in clay. In the 1500s, Sir Thomas More suggested that "the images of notable men" be put in public places "for the perpetual memory of their good acts; and also that the glory and fame of the ancestors may encourage people to behave well." I agree! When we tangibly document good deeds for posterity, as More suggests, portraits may become moving representations of the best of mankind.

In Karen’s words, “Making portraits allows me to shine a beacon on the ‘Good Guys.’ My goal is to capture something of each noble countenance that is timeless so that it might become a touchstone for current and future generations...and I am humbled by the privilege.”

That's what portraits can do…create facial images of a lifetime.

The portrait is one of the most curious art forms. It demands special qualities in the artist and an almost total kinship with the model.

 -  Henri Matisse
Barbara Benton Comparison Lateral - two photographs next to each other to compare the side profile of the face of the subject with the same angle of the sculpture done by Karen T. Taylor to show the precision in likeness in her work.

Karen T. Taylor’s career began in the fine art realm. After a three decade detour in forensic art, she is continuing that journey. Following years of depicting the “Bad Guys” and their victims, Taylor considers it a joy and privilege to commemorate “Good Guys” …capturing the dignity, intelligence, passion, and complexity that each special human face can hold. We tend to think of heroes as those who perform acts of extraordinary courage — often soldiers, firefighters, or police. Yet, there are many other good guys (and girls!) among us.

Good guys may be ordinary people who perform acts that transcend the ordinary:

  • Miss Rosa Parks not relinquishing her seat on the bus in Alabama in 1955

  • Todd Beamer on United Flight 93 on September 11 when he said, “Let’s Roll.”

Good guys may also be everyday people doing everyday things to sustain, nourish, inspire and enrich the lives of those around them in extraordinary ways:

  • Parents, educators, public servants, philanthropists, religious leaders, artists/entertainers, physicians, scientists, authors, and advocates for those less fortunate.

They are all good guys.

portrait commissions


Harry Caldwell Plaque Bronze Bas Relief Cast
Dominick Dunne Portrait Drawing Charcoal Sepia Toned Paper
Karen T Taylor Barbara - Mrs. Thomas Hart Benton V Sculpture

Portrait Drawing prices start at $2,500

Portrait Bas Relief prices start at $2,500

Portrait Sculpture prices start at $10,000

COST

Karen does commissioned portrait drawings from life and from photographs. These may be done in black and white, sepia tones, and color through the use of various media. If photographs are used, it is preferred that they be taken by Karen during a meeting with the subject. In some instances, posthumous drawings can be done from life photographs.

portrait drawing

Portrait sculptures are done from life in combination with photographs taken during a sitting. There is no fee or obligation to set up an initial consultation. This introduction may occur via long distance or in person. Examples of previous work will be shown, pricing options discussed and all questions answered regarding materials, sizes, base options, dates of delivery and so forth. If a decision is made to proceed, a payment schedule is done in thirds as explained in Stages of Work. Arrangements are made with Facial Images, so no gallery or artist agent fees are involved.

portrait sculpture

stages of work

  • This stage involves a minimum 2-hour personal meeting between artist and subject. During this time, photographs and various facial measurements will be made. A deposit of one-third of the agreed-upon fee is required in order for the sculpture to begin.

  • In this stage, Karen works to develop the portrait sculpture and presents it for the client to view. The client may come by Karen's studio for an in-process view of the piece if desired. Any final adjustments must be made at this stage. Upon approval of the finished clay work, a second payment of one-third of the agreed-upon fee is required. The clay piece then proceeds to the foundry for mold-making and casting in bronze.

  • Upon delivery of the finished bronze piece, the third and final payment of one-third is due. With the sculpture will come a letter of authenticity and instructions for maintenance. In some instances, by prior arrangement, there will also be a special accompanying book that explains the process of development of your individual portrait, both visually and in text form. The book is meant to be a keepsake for families, loved ones, and collectors…adding value and understanding to the piece.

It is not for me to say whether we see the world best with the hand or eye. I only know that the world I see with my fingers is alive, ruddy, and satisfying.

 -  Helen Keller